It's always great to do work for the Times. The adrenaline rush of the starting gun, fear and foreboding while awaiting sketch approval, the sleep deprivation and finally the anticipation of seeing it in print. You know we all thrive on it..!
Making Lace for the Met Museum
A friend of mine who works as a conservator at the Met Museum had a problem to solve. They had a gown from the turn of the previous century with lengths of the lace trim threadbare and they needed to find a way to present it looking more intact.
Miriam knew that I had done illustrations using my embroidery machine, so she asked me if I thought I could make free-standing lace with it as well. I never had and hesitated, but with her help, I found links to the technique of stitching on water-soluble stabilizer alone. Once you have done that, you can simply wash away the surface and only the stitches remain.
I started by drawing a schematic of the section of lace in Illustrator, brought that into my embroidery machine's software and redrew it... many, many times. Then there was practice with various weights and brands of stabilizer. I tried every thread I could get my hands on; viscose, poly, cotton and every combination of thread and stabilizer.
My first efforts were too precise and rigid. But I finally achieved the right amount of variation and look of slight wear to have it blend in with the less damaged portions. The sample above was approved and I moved into production of 6.5 yards in 7" segments.
The exhibit is titled "Death Becomes Her". It opened today (I got to go to the opening party last night..!) There are about 30 gowns from a century of mourning on display. It will be up through Feb 1st.
I commented on a FB article by Ross MacDonald today that I want to be him. That's so true, but instead of binding books and creating letterpress morgue tags, I want to be sewing, knitting and "tatting" my forgeries..!
The Sun Sets on the British Empire… maybe not so much
It has been about a month since I did this illustration for Christian Science Monitor. The vote hadn't taken place and Scotland was on the fence about remaining in the UK.
I am proud of this image because it was completely my idea. It's pretty rare these days that things don't get put through the decision-by-committee mangler. Thank you, CSM..!
Also, fun for me that I used a photo of the public tennis court surface as the texture map. I had taken it six or seven years ago and stored it in my textures file. Perfect for that big round yellow ball of a sun.
After twenty-two years on the computer, I decided it is time I informed my digital work with more tactile attempts once again. So I enrolled in a printmaking class.
But the first real session was cancelled due to snow. I'd done linoleum block printing in high school. Why not spend the same class time cutting on my own?
Well, it isn't as easy as I remembered. The linoleum is tougher and I keep skittering off course, making little digs into areas I want left untouched. Anyone have helpful hints on controlling my Speedball?
Update: I finished cutting the linoleum and another for a second color using tips from you guys. Keeping a lightbulb on the work was a big help. And one of my own: use a lightbox, too, to get an even warmth. Like butter..!
With class cancelled for Presidents Day next week, I wanted to get an idea of what I had so did a rubdown of the two blocks. This is fun..!